In a time where human contact is restricted for safety reasons, contact in this work takes place by — literally — listening closely to the sounds of objects which are very much part of my domestic daily life. During April 2020, I collected a series of sounds around my house on Sunnyside Street (Belfast, NI) including a wide variety of textures captured with different types of contact microphones, and multiple layers of electromagnetic interference caused by the growing use of electronic devices and the internet. These recordings form the basis of an exploration of the micro and extra-human sounds produced by the physical and virtual objects such as the radiator, the kettle, the shower, or the internet. Sunnyside intertwines these elements to reinforce repetition, discovery, detail and loss of perception of time that characterises the experience of many during our current life in confinement.