Gintas KLengvai / 60 x one minute audio colours of 2kHz sound

Lengvai / 60 x one minute audio colours of 2kHz sound

Crónica 024~2006, 2CD

Release date: 1 March 2006


Tracklist

Lengvai

  1. Lengvai (04:24)
  2. Ilgiau Ilgiau (06:40)
  3. KÅ«lgrinda (16:03)
  4. Koto (10:16)
  5. Early Set (27:19)

60 x one minute audio colours of 2kHz sound

  1. 01 (01:00)
  2. 02 (01:00)
  3. 03 (01:00)
  4. 04 (01:00)
  5. 05 (01:00)
  6. 06 (01:00)
  7. 07 (01:00)
  8. 08 (01:00)
  9. 09 (01:00)
  10. 10 (01:00)
  11. 11 (01:00)
  12. 12 (01:00)
  13. 13 (01:00)
  14. 14 (01:00)
  15. 15 (01:00)
  16. 16 (01:00)
  17. 17 (01:00)
  18. 18 (01:00)
  19. 19 (01:00)
  20. 20 (01:00)
  21. 21 (01:00)
  22. 22 (01:00)
  23. 23 (01:00)
  24. 24 (01:00)
  25. 25 (01:00)
  26. 26 (01:00)
  27. 27 (01:00)
  28. 28 (01:00)
  29. 29 (01:00)
  30. 30 (01:00)
  31. 31 (01:00)
  32. 32 (01:00)
  33. 33 (01:00)
  34. 34 (01:00)
  35. 35 (01:00)
  36. 36 (01:00)
  37. 37 (01:00)
  38. 38 (01:00)
  39. 39 (01:00)
  40. 40 (01:00)
  41. 41 (01:00)
  42. 42 (01:00)
  43. 43 (01:00)
  44. 44 (01:00)
  45. 45 (01:00)
  46. 46 (01:00)
  47. 47 (01:00)
  48. 48 (01:00)
  49. 49 (01:00)
  50. 50 (01:00)
  51. 51 (01:00)
  52. 52 (01:00)
  53. 53 (01:00)
  54. 54 (01:00)
  55. 55 (01:00)
  56. 56 (01:00)
  57. 57 (01:00)
  58. 58 (01:00)
  59. 59 (01:00)
  60. 60 (01:00)

Lengvai (eng. Easily) is the result of long-lasting sonic adventures through experimental digital post-techno, rich scales of frequencies and dynamics, from subtle to intense overladen structures. Lengvai is shaped by luxurious compositional precision, driven under the sway of musical intuition. Colorful hypnotizing beats, intersections of synthetic textures with sharp and powerful melodic flows are organized into polychromic soundscapes.

All sonic material in 60 x one Minute Audio Colours of 2kHz Sound is created from pure sound at the frequency of 2kHz, compositionally modulated to rhythmical formations, microsound, thrilling and rippling acoustic substance, diverse 2kHz "sound colours". The colour spectrum becomes a metaphorical equivalent of sound transformation. Sound at 2kHz is the axis of continuing composition, and even when it moves towards white noise and seems to disappear, it is still anyway sounding in THE background. The composition is oriented to a wide scale of listening experiences: from lyrical moods to unbearable noise. The integral composition has a clear and strict structure: audio colours are changing periodically every single minute.

Texts by Audio Z.


Credits

Cover art by Pedro Tudela


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